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- ECLAP Best Practice Network
- WG: Immateriella rättigheter och affärsmodeller
- WG: Performing Arts, pedagogiska verktyg
- WG: Verktyg för digitala bibliotek
- Accademia Nazionale di Santa Cecilia, ANSC, Italia
- Associazione Archibraille (ACCESSIBLE MUSIC SCORES), ARCHIBRAILLE, Italia
- Associazione Culturale Onlus ICT Ad Duas Lauros, Roma, Italia
- Bueno Cultural Association, Italia
- Centre de Documentació Museu de les Arts Escèniques Institut del Teatre de Barcelona, ITB, Barcelona, Spain
- Centro Teatro Ateneo, University of Rome La Sapienza, UNIROMA, Italia
- Dario Fo & Franca Rame Archive, CTFR, Milano, Italia
- Department of Information Systems for Arts and Humanities, DISAH, St. Petersburg, Russia
- Department of Theatre Studies, University of Amsterdam, UvA, The Netherlands
- DigiLab - Centre for Research in Digital Arts and Humanities
- Digital Meets Culture, Italy
- Escola Superior de Música, Artes e Espectáculo do Porto, ESMAE-IPP, Porto, Portugal
- Festival Cielos del Infinito, CIELOS, Chile
- Festival International de Films de Femmes de Créteil, FIFF, Paris, France
- Fondazione Annamode, Italia
- Fondazione Fabbrica Europa per le Arti Contemporanee, FFEAC, Italia
- Grotowski Institute, IG, Poland
- History of Art at University of Glasgow (UG), UK
- IRTEM - Istituto di Ricerca per il Teatro Musicale
- La Maison du Spectacle La Bellone, BELLONE, Brussels, Belgium
- Liber Liber, Roma, Italia
- Museum of Archaeology and Anthropology (University of Cambridge), Cambridge, UK
- Muzeum, Institute of Art Production, Mediation and Publishing, Ljubljana, Slovenia
- Országos Színháztörténeti Múzeum és Intézet (Hungarian Theatre Museum and Institute), OSZMI
- Sound & Vision (Beeld en Geluid), The Netherlands
- Teatro Napoletano, Napoli, Italia
- The Institute of Polish Culture University of Warsaw, IKP
- The National Audiovisual Institute, Poland
- Theatrical Events Working Group
- Universidad de Castilla La Mancha, UCLM, Spain
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Performance
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Scene from the Oresteia No. 9Production of Aeschylus's The Oresteia directed by Jernej Lorenci. Polona Juh as Clytaemnestra. Costumography by Belinda Radulović. Scenography by Branko Hojnik. Polona Juh received the Borštnik ...42 Hits Rösta
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Scene from the Oresteia No. 10Production of Aeschylus's The Oresteia directed by Jernej Lorenci. Polona Juh as Clytaemnestra. Costumography by Belinda Radulović. Scenography by Branko Hojnik. Polona Juh received the Borštnik ...96 Hits Rösta
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Medeja material No. 1 (Ditka Haberl)MEDEJA MATERIAL Heiner Müller prevod: Milan Štefe in Snježana Rodek režija: Ivica Buljan scenografija: Slaven Tolj kostumografija: Ana Savić Gecan glasba in oblikovanje zvoka: Mitja Vrhovnik ...107 Hits Rösta
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Medeja material št. 2 (Senka Bulić)MEDEJA MATERIAL Heiner Müller prevod: Milan Štefe in Snježana Rodek režija: Ivica Buljan scenografija: Slaven Tolj kostumografija: Ana Savić Gecan glasba in oblikovanje zvoka: Mitja Vrhovnik ...129 Hits Rösta
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33 TurnsThe May 2011 contemporary ballet performance by Sanja Nešković Peršin blends excerpts from the ballets Giselle by Marius Petipa and The Dying Swan by Michele Fokine. In his fundamental work about ...82 Hits Rösta
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All the (Virtual) World's a Stage: or Art Imitating Art in the Empty SpacePerforming Arts Digital Collections for the New Millennium, 9-10 June 2011, La Bellone – House of Performing Arts, Rue de Flandre 46, B-1000 Bruxelles. First ECLAP workshop meeting.9 Hits Rösta
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Digital Technologies applied to the performing arts in research & educationPerforming Arts Digital Collections for the New Millennium, 9-10 June 2011, La Bellone – House of Performing Arts, Rue de Flandre 46, B-1000 Bruxelles. First ECLAP workshop meeting.6 Hits Rösta
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On performance analysis in distance learningPerforming Arts Digital Collections for the New Millennium, 9-10 June 2011, La Bellone – House of Performing Arts, Rue de Flandre 46, B-1000 Bruxelles. First ECLAP workshop meeting.5 Hits Rösta
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