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- ECLAP Best Practice Network
- WG: Los modelos de la Propiedad Intelectual y Empresa
- WG: Artes escénicas, Herramientas educativas
- WG: Herramientas para Bibliotecas Digitales
- Accademia Nazionale di Santa Cecilia, ANSC, Italia
- Associazione Archibraille (ACCESSIBLE MUSIC SCORES), ARCHIBRAILLE, Italia
- Associazione Culturale Onlus ICT Ad Duas Lauros, Roma, Italia
- Bueno Cultural Association, Italia
- Centre de Documentació Museu de les Arts Escèniques Institut del Teatre de Barcelona, ITB, Barcelona, Spain
- Centro Teatro Ateneo, University of Rome La Sapienza, UNIROMA, Italia
- Dario Fo & Franca Rame Archive, CTFR, Milano, Italia
- Department of Information Systems for Arts and Humanities, DISAH, St. Petersburg, Russia
- Department of Theatre Studies, University of Amsterdam, UvA, The Netherlands
- DigiLab - Centre for Research in Digital Arts and Humanities
- Digital Meets Culture, Italy
- Escola Superior de Música, Artes e Espectáculo do Porto, ESMAE-IPP, Porto, Portugal
- Festival Cielos del Infinito, CIELOS, Chile
- Festival International de Films de Femmes de Créteil, FIFF, Paris, France
- Fondazione Annamode, Italia
- Fondazione Fabbrica Europa per le Arti Contemporanee, FFEAC, Italia
- Grotowski Institute, IG, Poland
- History of Art at University of Glasgow (UG), UK
- IRTEM - Istituto di Ricerca per il Teatro Musicale
- La Maison du Spectacle La Bellone, BELLONE, Brussels, Belgium
- Liber Liber, Roma, Italia
- Museum of Archaeology and Anthropology (University of Cambridge), Cambridge, UK
- Muzeum, Institute of Art Production, Mediation and Publishing, Ljubljana, Slovenia
- Országos Színháztörténeti Múzeum és Intézet (Hungarian Theatre Museum and Institute), OSZMI
- Sound & Vision (Beeld en Geluid), The Netherlands
- Teatro Napoletano, Napoli, Italia
- The Institute of Polish Culture University of Warsaw, IKP
- The National Audiovisual Institute, Poland
- Theatrical Events Working Group
- Universidad de Castilla La Mancha, UCLM, Spain
- Desarrollo
- Gerente General
